![]() ![]() In 2022, the organization estimated new breast cancer cases for women under 50 − not just women under 45 − would total 47,550. Video exaggerates breast cancer death numbersįor the years 2019, 20, the American Cancer Society, which has as its website address, estimated new breast cancer cases for women under 45 at 26,660, 26,500 and 26,510, respectively. The three numbers mentioned in the video − 26,000, 47,000 and 297,000 − are similar to projected breast cancer incidence statistics for women in several different age groups, not just women under 45. Estimated breast cancer death numbers reported by the organization were much lower. The numbers in the video are presented as breast cancer deaths for women under 45, but they actually roughly match estimates of new cases of breast cancer projected by the American Cancer Society. The video, which garnered more than 3,000 likes in less than two weeks, features a banner that reads, "We tried to warn people."įollow us on Facebook! Like our page to get updates throughout the day on our latest debunks Our rating: False "It has nothing at all to do with the shot." She goes on to claim that, for women 45 and younger, there were about 26,000 breast cancer deaths from 2019 to 2021. "Have you visited lately and taken a look at their stats?" the person asks. With its well thought-out concept and dry humor, Coffee Noir: Black Brown is a testament to Jang's distinct creativity, as well as to Jo's effortless lead actor credentials.Watch Video: Vaccines May Be Next Big Advance In Cancer Treatment The claim: Cancer deaths for women under 45 increased more than 10-fold between 20Ī June 22 Instagram video ( direct link, archive link) shows a person talking about purported breast cancer death rates. The melancholia doesn't quite reach the cool of Melville, but brings this unique tale to a worthy finish. offer up a different tone, which apes classic French thrillers and manages to stay in keeping with what we've already seen. However, when it's time for the story to end, Jang and co. At this point several of the characters begin to lose their drive, which saps some of the film's early energy. Many colorful characters pop up for a scene of two, and while all these moments are well crafted and enjoyable on their own, many add little to the narrative as they pull down on Ju-won with ties that sometimes aren't clearly explained.Īs things take a sharp turn for the worse, the film enters a more hopeless narrative that reflects some harsh truths of modern society. Where Jang does run into trouble is an overload of characters and a final third that loses some of the vitality and humor of the rest of the film. Leading almost every scene, Jo is a joy to watch, no matter what obstacle is in her way. Director Jang has come a long way from the lo-fi teen comedy Neverdie Butterfly and builds on the more polished forbidden romance Kissing Cousin, from which he carries over several cast members.Īnchoring what is a uniformly strong cast, Jo exudes confidence and intelligence as Ju-won, a character whose background is slightly obfuscated but whose willpower and competence propel the story forward. Largely shot in a spacious, multi-floor cafe with warm but muted tones, Coffee Noir: Black Brown is an elegant production throughout, despite its low budget. Entertaining and relevant, he has his cake and eats it too, at least until we dive into a bleaker second half that doesn't give its protagonists an easy out as they are forced to confront the reality of their situation. ![]() But a direct approach isn't always the most effective route and director Jang wrings buckets of wry commentary out of his fantastical concept. Korean filmmakers, particularly in the indie scene, tend to have a lot to say and the further we move away from the darker times of the republic, the more direct they have become in their depictions of what they see as the ills running through society. Despite the prying eyes of local inspectors and pressure from a decaf monopoly, she keeps the shop open: tea shop by day, java speakeasy by night. ![]() This delightful and odd prohibition drama is grounded by Jo Soo-hyang, whose performance remains unwavering, even when some of the story threads around her don't quite mesh.Ĭoffee shop manager Ju-won runs a tight ship and is revered by her staff, but their lives are about to change because of a new law coming into effect that will outlaw coffee in Korea. Korean indie Coffee Noir: Black Brown, the third film from emerging talent Jang Hyun-sang, which premiered last month in competition at Bucheon, delivers on all three counts. An intriguing concept can be enough to pull you into a film, but what keeps you there is a sense of purpose and steadfast execution. ![]()
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